17 October 2016

Swedish Bridges: 4. Klarabergsviadukten, Stockholm

I'm presenting bridges heading south-east along Klara Sjö in Stockholm, a water channel which separates the island of Kungsholmen from the Norrmalm district.

Klarabergsviadukten is a lengthy viaduct which carries a highway across another road, Vasagatan; a series of railway tracks; and over the waterway. The span over Klara Sjö is the longest, at 41m. The section above the railway is a steel structure, while the other parts are reinforced concrete.

Built in 1961, it was apparently originally proposed as part of a major highway which was never built, with plans eventually cancelled in 1974. However, it still forms part of a key traffic route today.

I found this to be a very attractive bridge, largely due to its lightly curved portal-frame shaping, which puts it a cut above the cheaper and more straightforward designs that predominate today. The way the pier legs extend into very lightly ribbed elements just projecting below the main structure is well done, and I admire the honest finishing of the concrete.






Further information:

15 October 2016

Swedish Bridges: 3. Blekholmsbron, Stockholm

This is not the most interesting footbridge I've ever visited, but I'm including it here for completeness. It's the next bridge to the east along the Klara Sjö in Stockholm, after the Barnhusbron and Kungsbron.

Depending whether I believe Wikipedia or Structurae, this bridge is either 55m long with a 32m central span, or has a main span of 41m.

Its name translates as "Bridge of Bleaching Islet", supposedly because there was a small island here in the past where fabrics were laid out to bleach.

Anyway, here are some photos, as I have little else to add.





Further information:

11 October 2016

Swedish Bridges: 2. Kungsbron, Stockholm

Heading east from the Barnhusbron, the next bridge in Stockholm is the Kungsbron, which carries the Kungsgatan ("King Street") over the Klara Sjö ("Lake Clara").

This has been the location of many bridges in Stockholm's history. A timber structure originally spanned the Lake (since narrowed to more of a channel), before being replaced by a steel swing bridge in 1881. In 1907, a steel arch bridge was added at a higher level, and in 1944 the concrete arch bridges which remain today were constructed.

The Kungsbron consists of two spans, one carrying each direction of the Kungsgatan highway. The reinforced concrete arches span 68m and support a 14m wide bridge deck.

The structural form is best understood from below. Each bridge comprises two parallel concrete arches, integral with the deck over the crown area. Over the remainder of the arch, the deck is supported from the arch on circular concrete pillars, which are pinned top and bottom. This arrangement allows the deck to expand and contract without inducing high stresses into the columns, however, at this span, I would have thought that very slender crosswalls would have been sufficient.

The overall form of the two bridges is attractive, but they are terribly let down by the details. The circular columns don't look like they belong with the squared-off arch and deck. The length of the combined arch and deck section at midspan appears excessive. Downstand crossbeams above the columns are a distraction (presumably a legacy of the construction method). Probably the most serious flaw is the complete lack of visual continuity of the deck between its central and end sections.






Further information:

08 October 2016

Swedish Bridges: 1. Barnhusbron, Stockholm

I recently visited Stockholm for the 19th Congress of the International Association for Bridge and Structural Engineering. This was a very good conference, but I don't think I'll have time to report it on any detail.

I did get a chance to explore a handful of Stockholm's bridges, and I'll share the photos here over the next few posts.


The first is Barnhusbron (translation: "Orphanage Bridge"), which connects the island of Kungsholmen to the Stockholm mainland. This is a tall highway bridge, some 290m long and 23m wide, constructed in post-tensioned concrete in 1969. The main span is 64.5m.

The bridge is notably taller than the next bridge along the waterway. This is reportedly because of an aborted plan to relocate the riverside Klarastrandslen highway above the numerous railway tracks below the bridge. However, the bridge's height does also allow it to connect directly into the Upper Norrmalm district.

The bridge parapets have been raised in height quite recently, although without taking the opportunity to address corrosion to the original parapet. The alteration was to improve bicycle safety. I have to note that these parapets don't look strong enough to me to survive any significant vehicular impact.

The bridge consists of two prestressed concrete box girders, which from the formwork marks appear to have been cast in-situ rather than precast segmentally. The void between the two girders is used for a number of utility ducts.

The girders are haunched over the main piers, in what I find quite an unattractive manner: the haunches are highly cusped ("pointy"), and the lower edge of the girder overhangs the edges of the pier. This gives the visual impression that forces in the girder are left hanging in mid-air, a defect which would normally be prevented by more careful design of the girder and/or the pier.








Further information:

03 October 2016

Shortlist announced for Upper Orwell Crossing competition

Suffolk County Council have announced shortlisted design teams for this bridge design competition. The shortlist is:
  • Adamson Associates (Toronto) with William Matthews Associates and Ney & Partners
  • Foster + Partners (London)
  • Knight Architects (High Wycombe)
  • Marc Mimram (Paris)
  • Wilkinson Eyre (London) with FHECOR and EADON Consulting
These are some pretty high-powered designers, and it will be very interesting to see what they come up with. Designs are to be submitted by mid-December with a winner announced in January 2017, a slight slip from the original timetable.

I understand that the promoter relaxed their original financial requirements at the prequalification stage, which has allowed some smaller practices to jump the opening hurdle. Sadly however, they did not relax the requirement for only registered architects to participate.

The engineer (WSP|PB) is already appointed, and whichever architect wins the contest will be appointed to work with the engineer to develop designs for two new highway bridges and a swing bridge refurbishment.

Judging of submissions is on the basis of two design concepts for each of the bridges, plus a fixed lump sum fee proposal, so it will be interesting to try and guess whether the winner has succeeded on creative merit or on price, or a mixture of both. The financial element will work against certain entrants, I think, as my experience is that architects' fee levels can vary significantly.

05 September 2016

Salford Meadows Bridge delayed

The Architect's Journal has revealed that a "funding shortfall" has prevented progress on Salford City Council's Salford Meadows footbridge.

The bridge proposal is a design by Tonkin Liu and Arup, which was the winner of a RIBA design competition, back in January 2014.


It's a sinuous steel bridge, curved in plan and supported on legs of silver Emmental (well, actually steel box girders with cylindrical perforations).

When I first mentioned this contest in June 2013, I noted that it had grown out of a feasibility study identifying a possible budget of £1m to £1.8m. I said: "The first question is whether there's sufficient political will, and funding available, to ever build a bridge at this site ... Salford say they are looking for an 'iconic' structure, but it's far from clear whether they have the appetite for an 'iconic' cost."

After the winner was declared, I commented: "There's little in the contest submission to provide confidence that what is depicted can be delivered at a reasonable level of quality, and I think there's absolutely no chance of it being done for the £2m figure that the designer states ... There must be a strong possibility it will also end up as unbuilt".

I understand that after winning the competition, Tonkin Liu were commissioned to develop the design further, but the AJ makes clear that it has not yet been submitted for planning consent, as Salford have yet to secure sufficient funding. Salford's mayor, Paul Dennett, is looking to fund the bridge from Section 106 planning contributions (essentially a tax on nearby developments), along with external infrastructure funding from central government.

The bridge proposal was always somewhat speculative - it would provide very useful access from one of Salford's main roads to the Salford Meadows area, but can only be a luxury in current economic circumstances. It was always clear that the money didn't exist to build it, and that its future was entirely dependent on economic whim.

That's something of a shame not only for Arup and Tonkin Liu, but also for the other 171 competitors who devoted significant time and energy to offering ideas for this bridge scheme.

Further reading:

Upper Orwell Crossing bridge competition criticised by architects

I recently discussed this bridge design competition at length, describing it as "one of the worst bridge design competitions to be organised in the UK for quite some time."

Now my sentiments have been echoed in the Architect's Journal, with a number of prominent architects speaking out against the manner in which the contest has been organised.

Cezary Bednarski states that "rather than promoting and facilitating collaborative effort – the only way in which outstanding bridges can be designed – it sets architects against engineers." He comments on the fact that the appointed project engineer does not work with the competing architects at competition stage.

A similar point is made by Chris Medland: "‘A pure design response to creating a crossing fundamentally requires an architect to collaborate with a structural engineer at the outset."

The best suggestion comes from Ian Ritchie, with the idea that the contest would be better run directly by the project's engineer to allow them to choose an appropriate project partner.

Well-known bridge architect, and member of RIBA's Competitions Task Group, Martin Knight, is the only interviewee to defend the competition. He argues that it's an opportunity opened to architects which would not otherwise have been available through the client's consultancy framework.

This is not a reasonable defence: there was nothing stopping the engineer from working directly with any subconsultant architect they felt would be appropriate for the scheme, or from tendering the architectural role directly, as Ritchie suggests. This would have allowed for a sensible creative partnership to work on the scheme, rather than an arranged marriage as is currently planned.

Knight's view assumes that having an architect on the job was not a 'given'. However, that's pretty fanciful in today's climate, where it seems clear to most clients that only architects can design decent bridges (a disappointing, but understandable notion). Indeed, the entire structure of the competition is the problem, as by holding engineer and architect at arm's length and allowing only the architects to demonstrate creativity in securing their appointment, it makes clear that the engineer is only there to make the bridge stand up, not to provide fundamental design direction.

The deadline for prequalification submissions has now passed, so the complaints raised in the AJ will fall on deaf ears. It will be interesting to see how many of the shortlisted architects have managed to persuade engineers to assist their teams, and what kind of bridge concepts are then submitted to the competition.