31 July 2011

Wrocław's Bridges: 7. Sand Bridge

Most Piaskowy connects the city centre of Wrocław to Sand Island.

The present bridge replaced a timber span in 1861, and is of a broadly similar type to that which could have been built in timber. It was designed by Ernst Uber.

The bridge spans approximately 30m, and is in the form of two riveted steel lattice trusses, supporting a tramway and highway deck between them. Footways are cantilevered to the outer sides of the trusses.

The current, rather bold, paint scheme was applied in 2008 - before that, the bridge was brown in colour. I like it - it really draws attention to what would otherwise be a rather drab structure.

In common with other lattice trusses using steel angle sections in the web, an interesting pattern of light and shade is generated, varying depending on the time of day. This is more marked on bridges with a denser lattice, however.

I think the balustrades are visually at odds with the main girders, the little mini-lattice at their base notwithstanding, and it's a shame that a modern fairing has been added to the outer edge, which really looks out of place.

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28 July 2011

Wrocław's Bridges: 6. Tumski Bridge

Most Tumski is a bridge over a branch of the River Oder. There has been a bridge here for centuries, marking the boundary between the jurisdiction of the city authorities on one side, and the cathedral authorities on the other.

The current steel truss bridge was built in 1889. It originally carried road traffic, but is now pedestrianised. It was damaged in the second World War, but repaired, and has been extensively refurbished in more recent times. It is illuminated by antique gas lanterns at night.

The bridge's two spans total 52m in length. There is a small skew, although this is not really noticeable. The structural form is clearly unusual. It's essentially a truss structure, although with some of the attributes of a suspension bridge, notably the separation of the top chord from the stiffening truss, where it passes above the central pier.

The main verticals of each truss form the sides of a portal gateway, providing much of the bridge's sense of occasion. The portal presumably also serves to stabilise the verticals against lateral buckling.

It's quite remarkable that what is normally seen as heavy and industrial, the riveted steel truss, can not only fit within a historic environment so well, but also become such a romantic bridge.

I'm not sure why it became associated with romance, but the bridge is now home to a tradition where couples come to seal their relationship vows. They prepare a padlock to symbolise their commitment, often inscribed with their names or a suitable message, lock it to the side of the bridge, and then throw the key into the river, indicating the unbreakable nature of their commitment (I'm not sure whether Wrocław divorce lawyers have to employ assistants armed with boltcutters).

The bridge is now lined with hundreds of locks, and it's a tradition I believe has spread to other bridges elsewhere in Poland. Tumski Bridge is surely one of the best-known bridges in Wrocław, and possibly my favourite out of those I visited.

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27 July 2011

Wrocław's Bridges: 5. Hospital of St Joseph Bridge

I have even less to say about this bridge than the last one. It spans between the Hospital of St Joseph (on the left), and the Assembly of St Elizabeth (on the right).

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26 July 2011

Wrocław's Bridges: 4. Museum Footbridge

Continuing west along the River Oder, the next bridge, Kładka Muzealna, forms part of the southern river bank, spanning over a small inlet where boats are moored, called Gondola Bay (Zatoka Gondoli).

The previous wooden footbridge here was replaced in 1928 with the present reinforced concrete arch. The bridge deck is 30m long, but the arch spans only 20.5m.

I walked along the opposite river bank, and didn't get the chance to see this bridge up close.

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25 July 2011

Wrocław's Bridges: 3. Peace Bridge

Most Pokoju is the next crossing of the River Oder in Wrocław as you head west from Most Grunwaldzki. The River is crossed several times within the city centre, but Most Grunwaldzki is the last highway crossing to the east for quite some considerable distance.

 A timber bridge originally spanned the Oder at this point, replaced in 1875 by the steel Lessing Bridge. This was damaged so badly in 1945 that it had to be replaced, although the new bridge was not completed until 1959. It took its present name, the Peace Bridge, in 1966. The designer was Jan Kmita.

The bridge is a hollow reinforced concrete box structure, with a central drop-in span supported on half-joints from the side cantilevers. It's what is known as a "Gerber beam", after the German engineer, Heinrich Gerber, who patented this system in 1866. Hinges are introduced at what would be the points of contraflexure in a continuous beam. This reduces the overall bending moments required for design (compared to a simply-supported system), while eliminating stresses which might result from thermal restraint or differential settlement. It also makes the structure easier to analyse, which was perhaps the major advantage when the idea was first introduced.

Of course, the major disadvantage is that the half-joints are prone to deterioration (e.g. from de-icing salts) while simultaneously being difficult or impossible to inspect and maintain properly: the Laval Overpass collapse being a relevant case history.

It's certainly not an unattractive bridge, with a relatively slender outline and simple, straightforward lines. The only element which strikes me as odd is the use of little mini-corbels to support the deck cantilever above the pier positions, which I can't quite see the point of, even considering that this is where the lighting columns sit.

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24 July 2011

Wrocław's Bridges: 2. Grunwaldzki Bridge


Most Grunwaldzki is one of the most unusual suspension bridges I have ever seen.

It results from a 1905 design competition won by the engineers Robert Weyrauch, Martin Mayer and Alfred von Scholz, and carries pedestrians, vehicles and trams across the River Oder. The architectural design was attributed to Richard Plüddemann. At the time, Wrocław was part of Germany, and called Breslau. The bridge was originally named the Kaiserbrücke, in honour of the last German Emperor, Wilhelm II, who opened the bridge in October 1910.

The bridge was severely damaged in the second World War, but rebuilt by 1947. In the process, the appearance was slightly altered, with turrets being removed from the towers, giving them a more modern appearance.

The bridge's arch-portal towers are built in granite, while the 112.5m span is in the form of steel Warren trusses (the horizontal member running in front of the trusses is a support for an underslung maintenance gantry).

What makes the bridge unusual is the suspension "cable", which isn't a cable at all, but a set of riveted steel plates. I'm not aware of any other suspension bridge quite like it. Both the Salzach Bridge in Laufen, and the Tower Bridge in London, have suspension "cables" made from riveted steel, but not in this flat-plate form. Each "cable" consists of four bands, each with up to eight layers of plate. Even the hangers are in riveted plate.

The use of riveted plates for the main suspension system is of course incredibly inefficient, as mild steel plate has a tensile strength several times lower than that of drawn steel wire. The use of wire cables in suspension bridges dates back to the 1820s, and was widespread by the time of the Kaiserbrücke, making the decision all the more puzzling. A few suspension bridges using metal chains were still being built into the twentieth century, such as the 290m Elisabeth Bridge, erected in Budapest in 1905, and the very late 340m Florianopolis Bridge, erected in Brazil in 1926. Nonetheless, the Grunwaldzki Bridge is probably unique. In addition to the low strength of its suspension "cables", it must have been much harder to build than a wire-cable bridge, as the riveted plates will have required temporary support until complete.

The anchorages are also an unusual feature. In most suspension bridges, the cables are continued at an angle into the concrete foundations or underlying bedrock. On the Grunwaldzki Bridge, they are turned about a stiffened, hinged saddle, such that they enter the ground vertically. This isn't unique - Navier's Pont des Invalides also had a vertical cable anchorage (see page 6 of the link for an image). I guess this offers the advantage that where the anchorage foundation may be prone to lateral movement, it can be buttressed in compression rather than relying on a tension ground anchorage. A diagram available online shows that the anchorage chamber is strutted against the tower foundations for stability.

Despite the clunkiness of the engineering, this is an attractive bridge. It is monumental, with a robust impression of strength. At the same time, the blue paintwork lightens the appearance. It is well-detailed: even the lighting columns are in riveted steel in similar style to the rest of the bridge. The towers are massive but not ridiculously so.

It's one of the best known bridges in Wrocław, and rightly so, and with its unusual engineering has a historical significance which is much wider.

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21 July 2011

Wrocław's Bridges: 1. Introduction

Wrocław is sometimes described as the Venice of Poland: a city built on 12 islands connected by 112 bridges (although other sources suggest there are at least 220 bridges and I'm sure the latter figure is closer to the truth). The land areas are divided by both rivers and canals, and in places by the town's old moat.

While in Wrocław for Footbridge 2011, I had the chance to visit a handful of those 112 or 220 bridges, which I'll cover in the next few posts.

Of the more significant bridges in Wrocław, I'm most disappointed at not having had time to visit the recent timber footbridge over the old moat (pictured). Its design was discussed in the paper Conceptual design of a footbridge in the historical part of Wrocław at Footbridge 2008, and it's nice to see such a muted, self-effacing design, as so many new footbridges in Poland are unnecessarily dramatic and brightly-coloured.

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