03 October 2019

Iceland bridges: 6. Hvítá bridge


This is the last bridge I'm going to feature from my Iceland trip, and it's the best.

When celebrating its 90th anniversary in 2002, the Association of Chartered Engineers in Iceland designated this bridge the most notable achievement of the third decade of the 20th century, the only bridge to make their list.


The bridge was built in 1928 by the national highway authority to a design by their engineer Árni Pálsson - it was one of the first projects in his career there, he went on to become their chief engineer in 1947.

The structure is 106m long, with two 51m span concrete arches spanning the river Hvítá (the "white river"). This structural form was chosen on cost grounds in preference to a two-span steel girder bridge or a one-span suspension bridge.

The structure carries the road Hvítárvallavegur between Hvítárvalla and Ferjukots. As you can see from the photo, this is a fairly rough highway, as with many in the country.

Prior to construction of the bridge, a ferry crossed the river, but this was unreliable when the river flow was high. Efforts to build a bridge began with surveys in 1910, and drawings were prepared in 1922, six years before construction eventually started.

The bridge would remain the main route from south-to-north in western Iceland until a bridge was completed downstream at Bogarnes in 1981.

The structure is instantly impressive, as attractive as many better-known concrete arches built in mainland Europe in this period. The 3m wide bridge was designed to carry a 6-tonne truck, or a uniform load of 400 kg per square metre (roughly 4 kPa), a similar load to what a pedestrian bridge would be designed for today.

The arch is very slender at its thinnest points, but unlike the broadly contemporaneous deck-stiffened arches of Robert Maillart (starting with the Flienglibach Bridge in 1923), it does not take its stiffness from the road deck.

The bridge draws its strength from the shaping of the arch - its connection to the deck at the middle of each span, and the thickening of the arch towards each support. This could have led to an ungainly appearance, but the sinuous profile of the upper arch surface combines well with the elliptical profile of the underside.


The set-back of the vertical support struts from the edges of the arch and deck also contribute to a fine appearance, emphasising the profile of the arch.

There are many more interesting bridges in Iceland, I only had time to visit a handful. Hopefully I'll get the chance to see more on a future trip!


Further information:

01 October 2019

Iceland bridges: 5. Jökulsárlón Bridge


This must be another one of the most-seen bridges in Iceland. It spans the outfall river from the Jökulsárlón glacier lagoon, and carries the island's ring road, route R1. You can't drive along the south coast of Iceland without eventually passing over this bridge.

The hengibrú (suspension bridge) was built in 1966-7, and has a main span of 108m. A ferry operated here from 1932, but before that the river was very difficult to cross.

I believe this was one of the last of a series of suspension bridges built in Iceland starting in 1945, and there are obvious similarities to the bridge over Jökulsá á Fjöllum that I featured previously, even though that is 20 years older.

When the bridge was built, the glacier Breiðamerkurjökull extended much closer to the highway. The glacier lagoon has grown steadily as the glacier has retreated, some 5.6km in the last century. This location, hugely popular with tourists, will at some point likely become the mouth of a new fjord, with the extent depending on how successfully global warming is tackled. Although efforts have been made to protect the foundations of the bridge against scour, it's lifetime may be limited.

Further information:

29 September 2019

Iceland Bridges: 4. Jökulsá á Dal Canyon Bridge


There are many arch bridges in Iceland, but this is probably one of the more unusual ones.

Built in 1994, this bridge is 125.5m long, with a main span of 70m. The steel-concrete composite road deck is supported on the arch via slender piers at 14m spacing.

The bridge was designed by Línuhönnun Consulting Engineers, who became part of EFLA Consulting Engineers in 2008. Swiss engineer Christian Menn was involved as a consultant.


The bridge is unusual for the arch being of composite construction, with a concrete slab supported on two steel box girders, and for its angular form. In the UK, we'd describe it as a "thrupenny-bit" profile. This solution was chosen over girder and framed options for aesthetic reasons, although studies showed a steel frame bridge to be slightly less expensive.

The composite form was chosen to eliminate the need for falsework as far as possible. The steel girders were erected first, and used to support 150mm thick prefabricated concrete panels. A further layer of in-situ concrete was then poured to create an arch 300mm thick in total. The width of the arch varies from 4.4m at the crown to 6.4m at its springings.

The bending stiffness of the arch and deck are similar, so in the finished bridge, they both resist asymmetrical bending equally.

The construction sequence had to be considered very carefully to ensure that the very slender arch remained stable at all stages - the construction photo below (taken from a technical paper describing the bridge's design and construction) shows quite how slender it appeared.


Further information:

26 September 2019

Iceland bridges: 3. Suspension bridge over Jökulsá á Fjöllum on Route 1


My journey took me east from the previous two bridges, following the Route 1 highway.

Iceland is well-supplied with large rivers, carrying meltwater from icecaps and glaciers. The Jökulsá á Fjöllum river appears wide but relatively unspectacular. However, the volume of water is substantial, as can be seen around 20 km to the north where the river spills over the enormous Dettifoss, reportedly Europe's largest waterfall.

Before there was a bridge here, the river could only be crossed by a ferry. The bridge was built in 1947, one of a number of suspension bridges completed within a 12 year period from 1945 to 1957, following Iceland's independence from Denmark.

The bridge is 171m long, with a main span 102m long and 3.7m wide. The steel ropes were supplied by British Ropes Ltd, and the steelwork was supplied and erected by Dorman Long.

The Icelandic roads authority have been planning a new bridge a little to the south of the existing structure, on the grounds that the existing bridge requires both speed and weight restrictions (lorries are forbidden by signs from travelling in convoy across the bridge). The new structure is proposed as a 5-span concrete box girder bridge, 230m long. Construction was due to start in 2015, but evidently it has been delayed.


Further information:

24 September 2019

Iceland Bridges: 2. Road bridge over Skjálfandafljót at Fosshóll on Route 1


This bridge was built across the Skjálfandafljót river in 1972, replacing an older truss bridge dating from 1930. The older bridge (and the remains of its 19th-century predecessor) can be seen in the photo at the end of this post.

Today, this structure carries Route 1, the main Icelandic ring road. Like many bridges in the country, it is only a single lane wide, although reportedly the national highway authority is considering building a new 2-lane bridge immediately to the north of this span.

As with many bridges in Iceland, it can best be described as pragmatic. The ladder-like inclined legs allow the main bridge girders to be more economical in size.


Further information:

21 September 2019

Iceland Bridges: 1. Former road bridge over Skjálfandafljót at Fosshóll


I visited Iceland earlier this year, and stopped briefly at a few bridges while there.

This first structure was previously a highway bridge spanning the River Skjálfandafljót. It carried Iceland's main ring road (Route 1) until a new bridge was built in 1972. The older bridge has been retained today as a pedestrian bridge.

The steel truss bridge was built in 1930, and replaced a previous wooden bridge dating from 1882-83. You can see the remains of the older bridge in the photos.

The bridge was refurbished between 1999 and 2000.

This must be one of the most-seen footbridges in Iceland, not because it is of any great interest itself, but because it is just downstream of the spectacular waterfall, Goðafoss. It provides a pedestrian link between car parking areas on each side of the river.


Further information:

27 August 2019

Merseyside Bridges: 13. Bradley Swing Bridge


I crossed this bridge en route to its much bigger and better known neighbour, the Sankey Viaduct. It is a rod-stayed pedestrian bridge spanning the Sankey Canal, and although there may have been several bridges like this in the canal's heyday, I believe this is the only one of this type that is left.

The Canal dates all the way back to 1757, but Historic England suggest that the Grade II Listed bridge dates from around 1857. The Listing states that the turning gear and pivot remain in place, although clearly the bridge is no longer operational, and the canal reaches a dead-end a short distance to the north of here.

If the 1857 date is correct, it must be one of the oldest surviving stayed bridges in England (there are certainly older examples in Scotland). It's not clear how much of the bridge is original - Historic England date the parapets to the 20th century, and there are turnbuckles in the main rods which are clearly an alteration.

The bridge is currently painted black and white but was previously painted green, as can be seen in photos at the Towpath Talk website, and on Wikimedia Commons, so the repainting is fairly recent.


The bridge's most unusual feature is the way in which the main span stays split into two. The stays are flattened locally to allow a pin to pass through. Combined with the bending of the rod over the narrow width of the cast iron posts, this is not an arrangement which could carry substantial loads, it would too easily be prone to fracture.


At deck level, there is a short linking piece connecting the main stay to the floor beams, which don't look original to me.

Further information:

25 August 2019

Merseyside Bridges: 12. Sankey Viaduct


Time for a couple more "Merseyside" bridges (using the regional term in a broad sense, before the pedants write in, again).

Completed in 1830, Sankey Viaduct has been described as "the earliest major railway viaduct in the world". Protected by Grade I Listed Building status since 1966, it still carries trains today.

The nine-arch viaduct was built as part of George Stephenson's Liverpool and Manchester Railway, to carry the line over a valley containing both the Sankey Brook and the Sankey Canal. The latter is now defunct, and was infilled at this location in 2002, so the viaduct now spans the Brook and a public footpath.

The viaduct is reported to have been designed by Stephenson's assistant Thomas Longridge Gooch, with William Allcard acting as resident engineer. Both men had worked with Stephenson for several years, and although Gooch is often described as Stephenson's draughtsman, he would in modern terms be called an engineer. Some sources cite Allcard as the main designer.

In 1825, Stephenson had been temporarily displaced as the railway's engineer, and John and George Rennie proposed a seven-arch viaduct 273 yards long. Once reappointed, Stephenson initially put forward a 20-arch brick viaduct, which was rejected by the railway company's directors. Describing his first design, Stephenson wrote to his son, Robert:
I have drawen a plan on the gothick principal there will be 20 arches of 40 feet span it will be quite a novel[ty] in England as there will be a flat arch sprung between the centre of the tops of the gothick and so on it has a fine appearance in the plans.
The Viaduct was only necessary at all because the Sankey Brook Navigation Company refused any obstruction to tall sailboats passing along their canal. Compare this old image of the viaduct with how the valley looks today.


The viaduct is a brick structure with sandstone facing on the two elevations. The piers are generously tapered and robust in appearance. Below ground, they sit on sandstone foundation blocks, which are in turn supported on driven timber piles.

The arches are semi-circular, each spanning 15.2m (50 ft). The keystone is prominent, projecting not just below the elevation, but below the entire width of the arch barrel. The underside of the arch is substantially covered in calcite staining, and in need of at least a clean if not more thorough refurbishment.

New overhead electrification portals were added in 2015; this seems to have been done with some sensitivity, choosing the positions carefully and only with small visible protrusions above the cornice line.

Looking up at the spandrel walls, occasional openings can be seen on one or other side of the central pilaster. I wondered whether these indicated the bridge to be of hollow-spandrel construction, with a series of internal spandrel walls. I found the planning consent application for the overhead electrification online, showing this guess to be correct, see the drawing extract below.


Further reading:

21 August 2019

Demolition of the Pont des Trous, Belgium

This wasn't a story I was aware of until I saw something recently posted on the Bridgehunter's Chronicles blog.

The Pont des Trous (translation: "bridge of holes") in Tournai was a medieval structure spanning the Scheldt River. Three arches, built at the end of the thirteenth century, connected two defensive towers, part of a historic city wall system. According to one report, this was one of only three remaining 13th century defensive bridges in the world (although ... read on!)

Here is this attractive heritage bridge pictured last year:

Image courtesy of Trougnouf via Wikimedia Commons CC BY-SA 4.0 license

And here is how it looked on 14th August this year, following major demolition work:

Image courtesy of Jpcuvelier via Wikimedia Commons CC BY-SA 4.0 license

If you spot that the towers look different in the two photos, that's because the photos are taken from different sides of the bridge: the curved tower faces were apparently on the outside of the city walls, to better deflect cannon-shot.

After much debate, the arches have been demolished in the name of progress. Apparently, the 1500-tonne vessels that could pass through the central arch are not enough, so the bridge had to make way to allow 2000-tonne vessels to pass.

Demolition of such a historic structure seems quite suprising, even with the stated justification of improving the local economy. There have been a petition against the proposal, and a Facebook protest group.

However, the structure that has been destroyed was not actually the original 14th century bridge, shown here in an old illustration with three equal gothic arches and a roof covering.

Image undated via Wikimedia Commons, public domain

The roof was removed and some other alterations were made in the 19th century.

The bridge was then destroyed by the British during the second world war. This image showing the damage to the medieval bridge dates from circa 1940:

Source unknown via delirurbain.org

When the bridge was rebuilt, it was essentially entirely erased and then reconstructed to some extent in reinforced concrete with a masonry facing - the bridge that has now been destroyed was essentially a fake, although many visitors would never realise this. The central arch was raised and widened enlarged at this time.

There have been various plans put forward to replace the demolished bridge with a modern structure.

Here is a proposal from Bureau Greisch and ANMA architects, a stainless steel mesh, a ghost of the bridge's former self in far too many senses:


A stone version of the same idea was preferred in a consultation with residents (although the consultation didn't include the possibility of retaining the existing structure).

This alternative proposal is from architect Olivier Bastin, a more skeletal reconstruction. It feels more like a parody of a bridge, than any meaningful tribute to what was there before.


Michel Wiseur's alternative is the best of this sorry bunch, displaying clearly the site's history rather than replacing it with something of entirely different dimensions or materials:


I gather that all these proposals have now fallen by the wayside, and the local authorities have stated they intend to rebuild the bridge (on another site?), stone-by-stone. If you watch the video of its demolition, you may wonder quite how that will actually happen.

My first thought on hearing about this whole story was that it was really quite appalling. Heritage can either be preserved or lost, and it can only be lost once. Once lost no Disney-like confection can replace it. However, here is a bridge that can apparently be lost twice, and the bridge that has been destroyed is not what it may have seemed.

So is it really such a loss after all? It is perhaps more significant as an element of civic identity than as a piece of real heritage. As with much nostalgia, the sense of loss is for a representation of the past that was never real or authentic anyway.

18 August 2019

Crowdfunding for Cody Dock Rolling Bridge

I thought I'd give a quick mention to this unusual bridge proposal, in case anyone has missed it.

Designed by Thomas Randall-Page, with support from engineer Tim Lucas at Price and Myers, it's a highly unconventional moveable pedestrian bridge, proposed to span Cody Dock at Canning Town in London.


There are three standard types of movable bridge: bascule bridges, which rotate about an axis parallel to the centreline of the river (or other obstacle crossed); swing bridges, which rotate about a vertical axis; and lift bridges, which move vertically without rotating.

There are also examples of retractable bridges which move horizontally, and a handful of bridges which move by transforming their shape, but very few examples of bridges that rotate about a horizontal axis perpendicular to the river centreline. The best known example of the latter is Gateshead Millennium Bridge, which like the Cody Dock design rotates to lift its deck sufficiently clear of the water to permit navigation. There are also a couple of examples in Belgium.

The Gateshead bridge pivots about its base, and so its weight is unbalanced in almost any position, requiring substantial machinery to operate.

The Cody Dock rolling bridge is instead proposed to be operated using a simple hand-crank, requiring its weight to be well-balanced in every position it rotates into. This is achieved by placing its centre of gravity exactly halfway between the floor of the bridge, and its overhead portals. When operated, the bridge rolls sideways like a giant pinion on a specially arranged rack; cog-teeth control the bridge's position.

This could be achieved by enclosing each end of the bridge in a large circular ring, which would roll along a horizontal rack somewhere below the floor level of the bridge. The half of the circular ring which is normally above the bridge deck would need to contain sufficient ballast to exactly balance the weight of the deck.

The Cody Dock proposal uses square portals at the end of the bridge, but rotating about their centre in the same manner as the circular ring. The centre-of-gravity remains horizontal, which means that the support rack has to be shaped to match the path which the rotating square traces in space. I think there will be quite a bit of ballast to pack into the upper part of the portal frames to make this work!



The cost of the bridge is estimated at £197,848, with a detailed budget cited which, perhaps worryingly, includes no contingency or risk allowance. There is currently no public funding for the project, nor any corporate sponsorship, so the project team are resorting to a crowdfunding web page to try and fund the scheme. This is currently sitting at around £62,000 pledged, with only 10 days left until their self-imposed deadline.

It's a very imaginative idea, and I wish them well.

26 June 2019

"Ordsall Chord - Manchester's Missing Link"

This is the third and last of a set of "souvenir" books I'm featuring which document recent major UK bridge projects.

The Ordsall Chord is quite a different beast to either the Mersey Gateway or the Queensferry Crossing, with the largest bridge span a relatively modest 89m. The Chord is a new railway connection linking Manchester's Piccadilly and Victoria stations, and although there were evidently plenty of bridge works involved, the nature of this book makes clear that it was more of a multi-disciplinary project in nature. The civil engineering construction accounts for only 38 pages, with substantial chapters given over to other topics such as railway signalling, track and overhead electrification.

The Ordsall Chord - Manchester's Missing Link (Mercury Group Limited, 2018, 168pp) was written by members of the project delivery team, and this gives it quite a different slant to either of the other two books I've featured, with a strong focus not just on the project objectives or the construction efforts, but more material on how the project was procured and organised. I think this book is therefore potentially of more interest to professionals than the general public, although I'm sure there are many railway enthusiasts who'd enjoy it.

The foreword to the Mersey Gateway book is by a politician, while the Queensferry Crossing book has multiple forewords from different perspectives. The Ordsall Chord book is introduced by the lead director from the delivery organisation, who introduces a theme that runs throughout the book, "great people working collaboratively". I think it's a interesting that this needs to be highlighted - it suggests that the construction industry is often populated by not-so-great people, not working collaboratively, so that anything else is an anomaly.

The main part of the book opens with a short chapter explaining the history of the site (the project runs right across part of the historic 1830 Liverpool and Manchester Railway), and the need for the new railway line.

The heritage theme continues into a chapter exploring the project's constraints and how the design was developed. This is a better attempt at explaining design issues than in either of the other two books, crediting and naming specific individuals rather than submerging them in corporate anonymity, exploring the challenges of working amongst numerous protected heritage structures, explaining how visual sense was made from a disparate variety of structural forms, and of how the architecture and engineering work in conjunction. The focus is very much on the architecture, but that's a relief after seeing it largely ignored in the other books.

A thorough chapter discusses the Northern Hub Alliance, a contractual partnership which brought client Network Rail together with their contractors to deliver the scheme. My experience is that Alliance arrangements are unusual in UK transport infrastructure, and while I found this chapter very interesting as a professional, I can imagine some readers' eyes glazing over.

The main message I take away from the chapter on civil engineering is the difficulty of building a project of this sort in a constrained urban environment. This is reflected in the way a large number of smaller structural elements were constructed in a "piecemeal" manner, with plenty of off-site fabrication and precasting.

The text never delves into the level of detail that would satisfy a bridge engineer, and I was left with a large number of questions, while recognising that I'm not really the main audience for such a book. The word "success" is used relentlessly, but fortunately leavened with a few short acknowledgements of real problems encountered during the project, such as issues with the stressing of the network arch bridge hangers.

The remaining chapters cover the other railway disciplines and (briefly) the project's outcome and legacy. I'm no trainspotter, but I think I did learn a few new things from reading these.

It's very well-illustrated throughout, with plenty of photographs, mostly from Matt Nichol, and many of these can also be seen on his website linked below.

The book is available for £25 plus £5 postage from a dedicated website, or from Amazon.

Further information:

23 June 2019

FIU Bridge Collapse: Designer's analysis

My reader Patrick Sparks has drawn my attention to a presentation from the FIU Bridge designer which makes an interesting read in light of the recent OSHA report.


The linked PDF comprises the minutes of a meeting held to receive a presentation from the bridge designer Figg at 9am on 15th March 2018, just a few hours before the bridge collapsed, plus a series of photos capturing the presentation slides*. Figg were present at a meeting along with the Florida Department of Transportation (FDOT), the contractor MCM, the university FIU and their construction representative BPA. The aim of the meeting was to review cracking which had arisen in the bridge during construction.

(*Is this a normal thing to do in US engineering meetings? It feels very odd to me.)

It is clear that despite the very severe and unexpected cracking which had occurred, nobody present considered it necessary to take any immediate action other than to proceed with re-stressing of the cracked truss diagonal.

The designer "assured that there was no concern with safety of the span suspended over the road". The client's construction adviser specifically asked if the bridge should be propped but the designer stated that it was not necessary.

The actions discussed were mostly take-aways: the construction adviser would review the designer's analysis over the next few days; the designer was working on a scheme to "capture" the cracked truss node; there was agreement that the engineering peer reviewer should take a look at the situation, but no clear action or timescale for them to actually do so.


A re-stressing procedure was due to take place within a few hours following the meeting, but the designer left site rather than stay to observe, and the client's construction representative had not received details of the procedure prior to the meeting.

Reading the notes from the meeting what strikes me is a total lack of clarity from everyone present. Some actions are implied, but none are clearly recorded. Nobody was present who could provide meaningful comment or review of what the designer had to say. Those present accepted that there was a serious and unexplained issue, but felt it appropriate to push on with re-stressing the truss end diagonal even through the cause of the cracks was completely unknown. There is no sense in the minutes of a forensic approach to the failure.

Some of this is not unexpected - I have sat in similar meetings where there is no clear leadership and the approach to solving a problem appears to be unstructured. It is, however, something for other projects to learn from.

There are inconsistencies between what the designer presented, and what the OSHA investigation reports.


The first of these relates to the stage when the falsework supporting the concrete truss was removed, leaving it sitting on temporary supports before transport to the bridge site. The designer's presentation states there were no significant cracks at this time, but the OSHA report reveals that a cracking or popping sound was heard and several cracks were then visible in exactly the same part of the structure that led to later concern.

Much of the presentation is given over to a re-calculation of vertical transverse bending in the end diaphragms of the bridge. It isn't clear why, as the visible cracks were not characteristic of vertical bending.

A key part of the designer's re-analysis starts on page 27 of the PDF, headed "Total Nodal Shear Stability". This is their check of whether the truss end node can fail by punching out of the end diaphragm. Differences to the OSHA analysis are readily apparent: OSHA calculated shear on a horizontal plane in line with a casting joint, while the designer considered shear on two vertical planes through the diaphragm either side of the node.


OSHA's calculations show the horizontal plane to have had insufficient strength: the concrete area was relatively small, the construction joint was a plane of weakness, the area of reinforcing bar passing through the plane appears to have been small. The designer's calculations showed the vertical plane(s) to be ok: the concrete area was relatively large and doubled (two shear planes either side of the truss diagonal), the area of reinforcement was large, and transverse prestress provided a "clamping" force which enhanced shear strength.

The discrepancy indicates that the designer did not re-calculate shear on the horizontal plane, which was later found to form part of the observed failure mechanism. Both shear planes should have been checked (and any others which might be identified as being potentially weaker).

The designer considered in detail the changes in support of the truss from the initial temporary supports to the permanent supports, with a different shim arrangement, and concluded that it was unclear how this change could possibly create the cracks that were observed. The cracks were described by the designer as "spalls", seemingly not recognising that the end node was in fact in the process of gradually moving and becoming detached from the body of concrete.

The designer's conclusion was as follows:


Paraphrasing this, their calculations showed that the bridge was okay, therefore the bridge was okay. The cracks could not be significant if the computer model did not explain them.

In hindsight, this sounds obviously faulty reasoning, but we should be wary of hindsight bias. With the evidence clearly laid out before us, the significance of the cracks may now seem obvious. However, with the cracks unexplained, the designer was using their familiar tools to try and understand what had happened. Although OSHA has been quick to blame everybody involved in the project for their alleged failures, I think there will be many designers who will wonder whether they would have done any different.

Another cognitive bias may have applied back in March 2018. Here's what Wikipedia has to say about confirmation bias:
Confirmation biases contribute to overconfidence in personal beliefs and can maintain or strengthen beliefs in the face of contrary evidence.
Is this what happened? Were project participants willing to ignore the evidence of progressive failure because it simply did not fit in with their mental model of how the structure should behave? The designer is likely to have had considerable experience of computer modelling, and of structures that behave in a manner that doesn't contradict it. It's easy in that situation to think that the computer modelling is right (in fact, errors and omissions may be made in computer modelling from time to time, but usually structures behave well enough for this not to become evident).

Groupthink may also have had an influence on the outcome. Here is Wikipedia again:
Group members try to minimise conflict and reach a consensus decision without critical evaluation of alternative viewpoints ...
The minutes of the project meeting show that the designer's viewpoint was challenged, but it seems that challenge wasn't pursued with sufficient firmness - the designer's recommendations (to re-stress the truss diagonal, and not to prop the structure) were followed without giving time for alternative views to inform these decisions. The minutes are unclear who was responsible for the decision anyway: the word "safety" appears only once in the minutes, and it is not clear from the record who took the lead responsibility for safety of the actions taken.

Everyone is vulnerable to confirmation bias, groupthink and similar irrational judgements. The evidence is that cognitive biases in general have a big impact on how individuals and groups operate in many widely varying contexts. Recognition of this has driven the entire field of behavioural economics, but it's not something you hear much about in the engineering context.

I hope that the official incident investigation digs into some of these issues, as I think they are in many ways of wider relevance than issues of calculations and concrete strength, the specifics of which will always vary from project to project. It would be foolish for designers of steel bridges to think that the FIU bridge incident is not relevant to them, for example. The factors (including, often, commercial pressures) which lead to poor analysis of evidence and hence poor decision-making cut across all types of project and many types of error.

I feel the issue of identifying effective behaviours and putting in place processes and a culture which encourage rather than discourage them is the key area where attention should be focused.